Design as an antidote to daily life
An intuitive interior expresses identity in the most profoundly personal way – as a three dimensional portrait of movements, habits and relationships.
A house renovation is an opportunity to sculpt a space that responds to our most intimate rhythms and habits: a place that anticipates our needs, makes room for what we treasure, and helps life flow smoother. This well designed space can become an antidote to both our psychological and physical wellbeing.
This is why before the start of any project, Decancq Vercruysse calls for a period of self reflection in order to identify individual and family habits and needs: What are the points of stress or relief during the day? Where are the moments of pure happiness – and those we prefer to avoid? Design then responds to each answer.
Architect Emiel Vercruysse and his partner Marie followed this same exercise when renovating their own home, a 1950s townhouse in the heart of Kortrijk, Belgium. They both found peace in nature and desired living spaces connected to the outdoors, and liked returning home from work to a cocooning retreat of soft fabrics and warm colours. They also both valued a tidy home, which translated into the necessity of an entrance with storage for coats and shoes, room for bikes and even a little shower for the dog.
This is why before the start of any project, Decancq Vercruysse calls for a period of self reflection in order to identify individual and family habits and needs: What are the points of stress or relief during the day? Where are the moments of pure happiness – and those we prefer to avoid? Design then responds to each answer.
Architect Emiel Vercruysse and his partner Marie followed this same exercise when renovating their own home, a 1950s townhouse in the heart of Kortrijk, Belgium. They both found peace in nature and desired living spaces connected to the outdoors, and liked returning home from work to a cocooning retreat of soft fabrics and warm colours. They also both valued a tidy home, which translated into the necessity of an entrance with storage for coats and shoes, room for bikes and even a little shower for the dog.
While the existing townhouse offered certain restraints, all of this was still possible. Vercruysse designed a calming ground floor living space, which now fully opens up to the green walled patio garden with a new floor-to-ceiling wall of windows. Its interior is lined with oak wood panels and a bespoke patinated stainless steel fireplace, and furnished with a deep sofa, an inherited Axel Vervoordt coffee table, and an upholstered Bachelor chair.
The atmosphere of the bedroom and bathroom is similarly cosy, with layers of natural materials and custom furniture such as the bedside tables and lamps. “Why is white paint always our default?” asks Vercruysse. “Humans lived in caves for centuries, and darker colour palettes feel more natural – they attract you, keep you, embrace you, and offer more intimacy. It seems like a bold departure from contemporary living, yet in fact it is a homecoming.”
Upstairs, the oak panelled walls and ceilings continue in the kitchen and dining space, alternating with taupe-coloured paint. Flooring divides the room, with a wide wood plank beneath the dining table, and brown square tile in the kitchen, which has grey stone countertops and opens up to a sunlit terrace. A single shelf displays artwork and treasured objects, while the majority of storage is beneath the countertops.
The atmosphere of the bedroom and bathroom is similarly cosy, with layers of natural materials and custom furniture such as the bedside tables and lamps. “Why is white paint always our default?” asks Vercruysse. “Humans lived in caves for centuries, and darker colour palettes feel more natural – they attract you, keep you, embrace you, and offer more intimacy. It seems like a bold departure from contemporary living, yet in fact it is a homecoming.”
Upstairs, the oak panelled walls and ceilings continue in the kitchen and dining space, alternating with taupe-coloured paint. Flooring divides the room, with a wide wood plank beneath the dining table, and brown square tile in the kitchen, which has grey stone countertops and opens up to a sunlit terrace. A single shelf displays artwork and treasured objects, while the majority of storage is beneath the countertops.
“Though it’s rarely top priority, storage is one of the most important aspects of comfort in a home, especially integral to the way we live today as we often have too much clutter. It’s a relief to know where things are, that they are organised and have their place, allowing the space beyond to maintain its calm.”
While personal to Vercruysse, this renovation embodies many methods and values that are central to the way Decancq Vercruysse works. It shows how when it comes to designing a house, decisions are always uniquely responsive to the inhabitants, and sensitive to the connection between the emotional and physical experience of daily life.
While personal to Vercruysse, this renovation embodies many methods and values that are central to the way Decancq Vercruysse works. It shows how when it comes to designing a house, decisions are always uniquely responsive to the inhabitants, and sensitive to the connection between the emotional and physical experience of daily life.
Photograpy Eric Petschek
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